Ewi Tsering Bhuti and that Photo... #dolpowomen

                                 Photo 1: A candid moment with Ewi Tsering Bhuti



Since my ‘baal-kuney’ Jai-Nepal (one of the oldest cinema halls in Kathmandu, Nepal) times watching ‘Caravan’ directed by Eric Valli, I have always remained curious on how Eric Valli saw and projected ‘Dolpo’, one of the Himalayan Indigenous community. Besides how Valli and his team economically benefited, I was (and still) more attuned in understanding how various peoples from Dolpo and the larger scattered community as a whole (socio-culturally, economically, and politically) benefited or not benefited. Thanks to some critical piece/reflection by Ken Bauer, Sara Shneiderman/Mark Turin, Puspa Damai and Gerda Pauler, we’ve alternative vantage points on how the ‘Himalaya’ project can be critically analyzed. In past, I have chosen to reflect on gender narratives and consequently, thanks to both Manjushree Thapa and Phurwa Tashi, my work on the late Tsering Yangzom (who played as a wife of Meme Thinley in the film) is already published in a Lalit Magazine, one of those literary initiatives to bring all voices from margins together. I have also shared that link here. https://dolporises.blogspot.com/2017/09/the-late-yangzom-tsering-as-published.html?spref=tw&fbclid=IwAR0IdMHuALk4uZyLrrCrLMkY-dc3gRt_AWoIdY1cyoCr19lcHsq1qUjFAMU


Meanwhile, Eric Valli went on to write and publish few other related books that again have used various peoples also from Dolpo. Especially when I critically see those books, I am also interested in a book cover while assuming that a good book cover can also become one of the means to persuade readers/buyers to buy and maintain that socio-economic relations of (re)production with a larger capitalist market.

                 Photo 2: The Book Cover where 'Tsering Bhuti' can be seen 


While sharing some 'invisible' thoughts on that big heavy photo books that also includes figures from Dolpo both in my Instagram and Facebook accounts, a friend shared the name of a ‘Dolpo’ woman who is not facing directly on the camera but used in the book cover. Upon few requests also on about her whereabouts, he told me that she is now in Boudha, Kathmandu. Possibly a part of that larger seasonal migration of Dolpo from highlands to lowlands during Winter, I thought.

Immediately I requested a brother and a friend Nyima Gyaltsen (who is also from Dolpo and now in Boudha for his study) to meet and talk to her and listen her experiences if she is willing to share. Briefly I also shared what I would be interested to know. Therefore, after few days, Nyima Gyaltsen accompanied by a friend spent around six minutes with her. Considering that they all met and interacted in Boudha possibly at a tea shop, what we could know from this is still interesting.

Below is a brief description how it (that interaction) unfolded.

                  Photo 3: Ewi Tsering Bhuti sharing her thoughts to Nyima Gyaltsen 

[Note: NG below stands for Nyima Gyaltsen and TB stands for Tsering Bhuti]

NG: Your’s name?

TB: Tsering Bhuti.

NG: ho, Lasso (thank you). Your’s age?
TB: He (possibly pointing towards his son) might know… [His son saying 72 years old]…
She [upon hearing] nods and insists… “I am the oldest one in Vijer (a village in the north-west part of Dolpo and at-least five days walking distance away from Dunai, the district headquarter) and there is not anyone who is elder than me”.
[She is originally from a Tra village in Vijer]. 

NG: Then Ewi (a grandmother) what are some of the tasks that make you happy?
TB: I don’t really do anything but various field works and milking…

NG: Then Ewi what are some other things if other do that make you unhappy?
TB: I haven’t really thought in that way (while nodding with her head and smiling)… [Meanwhile she shows her neighbor)

NG: Since you are the eldest, what are some of the changes you’ve witnessed in Dolpo?
TB: Before we didn’t have any property and poor, now the situation has somewhat improved.

NG: Any changes in Vijer? Are they also building roads?
TB: Yes they said they are making one but have not yet seen one. I am yet to see any ‘motro’ (a vehicle).

NG: Any schools?
TB: Yes there is a school (again pointing to the same villager who has completed his education from the same school)… there is also a good ‘meyn-khang’ (a small health post)… and it is my sixth time that I have been here in Boudha…

NG: What are some of the challenges you’ve faced?
TB: There are many and it is hard to get an airport ticket even after waiting for seven, eight days in Jhuphal, a district airport [this time both her hand and head are moving; both completely showing disapproval] and have to walk from Dunai if I am willing to come to Kathmandu…

NG: How many children you have?
TB: I have one son in a foreign land (USA) and remaining three children are here…

NG: and what they’ve been doing?
TB: I don’t really know… one (pointing to her son close-by) is doing some business and another one is in ‘a-ri’ (USA). Rest live in a separate household as we do not live together back in a village…




NG: and Ewi, the photo clicked by Eric Valli, one I showed you, did he help you in anyway?
TB: No, he has not helped (gyab-gyor chig-gya mey-di-kay) after that photo clicked by Valli with the help of ‘Meme’ Thinley… [she clearly shows her frustration here again while moving her right hand; soon she moves her head in a different direction and keeps on staring for few more seconds; she clearly is unhappy]

NG: Rest do you have anything to share Ewi?
TB: Not really… I am somewhat happy praying for everyone while coming down here… Before I didn’t even know ‘bha-yul’ (Kathmandu)…

NG: What are some of the changes you see here?
TB: Oh, here in ‘yum-bu’ (Kathmandu), there are many houses/buildings… in terms of roads and an airport, this time only it took me one day in Jhuphal to wait for an air ticket (somewhat signaling a relief)...


This is where the conversation ends. I just would like to thank everyone including Nyima Gyaltsen and Mingyur (who is also from Vijer) who helped me to put this together. In addition, the full consent of Ewi Tsering Bhuti and her family in making this public can hardly be forgotten. 

Horchey! 



  

 


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